Tenor Kévin Amiel makes his debut in the title role of Jacques Offenbach's Les Contes d'Hoffmann this month, at the Grand Théâtre de Dijon , in a reworked version by director Mikaël Serre, calling on theater, video, and sound creations.
A colorful end of the year, for one of the most talented tenors of the new generation, as evidenced by his season 2017/2018, in which we can hear him in the role of Flavio (Norma) at the Opéra de Rouen and Mascate's Royal Opera House (Oman), Normanno (Lucia di Lammermoor) with the Orchestre national d'Ile de France at the Théâtre des Champs Elysées, in Siegfried (ou qui deviendra le seigneur de l'Anneau), adaptation according to Wagner's opera, at the Opéra de Saint-Etienne, as well as in the role of Griolet (La Fille du tambour-major) at the Théâtre de l'Odéon in Marseille.
Among the recent appeareances of Kévin Amiel, let us quote Pâris (La Belle Hélène) at the Théâtre de l'Odéon in Marseille, Flavio (Norma) at the Opéra de Saint Etienne, Malcolm (Macbeth) at the Opéra Grand Avignon, or Gherardo (Gianni Schicchi) and Il Commendatore (La Nuit d'un neurasthénique) at the Opéra de Montpellier.
Les Contes d'Hoffmann, at the Grand Théâtre de Dijon
