Artists
O Liebe ... O Lieder !
Amel Brahim-Djelloul
Soprano
Soprano Amel Brahim-Djelloul continues on her luminous and singular path, rich in her two cultures. The 2024/2025 season bears witness to this, with concerts including the orchestral premiere of CD program "Les chemins qui montent" with the Orchestre de Cannes conducted by Benjamin Levy, the world premiere of Bushra El-Turk's "Oum" at the Dutch National Opera in Amsterdam, concerts in the USA with the Amedyez ensemble, in France with Jérôme Correas’s Les Paladins, and with guitarist Thomas Keck.
A graduate of the CNSMD in Paris, as well as of William Christie's "Jardin des Voix" and nominated in the "Most promising lyrical artist" category of the Victoires de la Musique classique 2007, she quickly sang many roles of the repertoire: Susanna (Le Nozze di Figaro) at Angers-Nantes Opéra and at the Opéra de Lausanne, Despina (Così fan tutte) at the Opéra de Nice, Servilia (La clemenza di Tito) at the Opéra de Paris and the Festival d'Aix en Provence, but also The Princess (L'Enfant et les sortilèges), Ninette (L'amour des trois oranges) and Suor Genovieffa (Suor Angelica) at the Opéra de Paris, the title role of Messager's Véronique at the Théâtre du Châtelet, Gabrielle (La Vie Parisienne) at Angers-Nantes Opera, Nanetta (Falstaff) at the Théâtre des Champs-Elysées, Adina (L'Elisir d'Amore) and Pamina (Die Zauberflöte) at the Opéra d'Avignon, Andreloun (Mireille) at the Chorégies d'Orange, Hébé, Fatime and Phani (Les Indes Galantes) at the Opéra national de Bordeaux and the Concertgebouw in Bruges, or Drusilla, Amore and Valletto in various productions of L'Incoronazione di Poppea (Opéra de Paris, Théâtre des Champs-Elysées, Berlin Staatsoper, Théâtre de la Monnaie in Brussels, Grand Théâtre de Genève, Opéras de Lille and Dijon), to name a few.
Regularly invited by many orchestras (Orchestre national de France, National Symphony Orchestra of Washington, Orchestre Philharmonique Royal de Liège, National Philharmonic Orchestra of Ukraine, Orchestre Philharmonique de Strasbourg, Orchestre des concerts Pasdeloup, Orchestre Symphonique National Algérien, Orchestre national d'Ile-de-France, Orchestre Philharmonique du Maroc...) and ensembles (Les Arts Florissants, Le Poème Harmonique, Les Paladins, Il Caravaggio, 2E2M, Mezwej, Les Talens Lyriques, Quatuor Debussy...), Amel Brahim-Djelloul broadens each season her range of personal projects which often link East and West, such as the programs "L'Orgue du Sultan" (with Achéron and Sultan Veld), "Les 1001 Lunes de la Princesse Boudour" (with Aymeric Lecerf and Nicolas Jouve), the "Populaires" recital (with Nicolas Jouve), "Canciones" (with C Barré) as well as her Mediterranean programs with the Amedyez Ensemble.
Her discography includes numerous opuses, like recitals with pianists Anne Le Bozec ("Les 1001 nuits") and Nicolas Jouve ("Populaires"), as well as a program of works from the Arab-Andalusian heritage ("Amel chante la Méditerranée") adapted by her brother, violinist and musicologist Rachid Brahim-Djelloul, and performed with the Amedyez Ensemble.
Amel Brahim-Djelloul is the artistic director of the association Nour with whom she sets up various projects ranging from teaching to the production of new shows and recordings.
She has been represented by RSB Artists since 2010.
Anna Reinhold
Mezzo-soprano
After studying at the Conservatoire de Paris (CNSMD) and the University of Vienna, Anna Reinhold made her stage debut under the direction of William Christie, as part of his academy, "Le Jardin des Voix"; this was followed by numerous engagements with Les Arts Florissants, in Europe and America.
She now collaborates regularly with many conductors and ensembles : Leonardo García Alarcón (Cappella Mediterranea), Raphaël Pichon (Pygmalion), Laurence Equilbey (Accentus and Insula Orchestra), Jonathan Cohen (Balearic Islands Simphony Orchestra, Arcangelo ensemble, Orchestre d'Auvergne), Vincent Dumestre (Le Poème Harmonique), Simon-Pierre Bestion (La Tempête), Ryan Brown (Lafayette Opera), John Butt (Edinburgh Orchestra), Josh van Veldhoven (Bachvereniging), Jonathan Cohen (Nederlands Philharmonisch Orkest and the Orchestre d’Auvergne), Andrea Marcon (La Cetra Barockorchester Basel), Giovanni Antonini (Il Giardino Armonico), Stephan Macleod (Gli Angeli Genève) ...
At the Opera, she sang the title role of L'Italiana in Algeri (Rossini) and Mélisande (Debussy's Pelléas et Mélisande) at the Atelier lyrique de Tourcoing, L'Italiana in Algeri again, at the Théâtre des Champs-Elysées, Cybèle (Lully's Atys) at the Opéra Royal de Versailles and at the Brooklyn Academy of Music, Menesto (Cavalli's Elena) at the Festival d'Aix en Provence, Pandora (Draghi's El Prometeo) at the Opéra de Dijon, Adèle and Al Cirbec (Le Mystère de l'écureuil bleu by Marc-Olivier Dupin) at the Opéra Comique in Paris, or the Second Camerist (Le Nain by Zemlinsky) at the Théâtre de Caen.
Particularly appreciated for her interpretations in concerts and chamber music repertoire, Anna Reinhold is a regular guest at festivals such as Les Musicales de Colmar (Schönberg's Pierrot Lunaire, Wagner's Wesendonck Lieder, Mahler's Lieder eines fahrenden Gesellen ...), the Kaposvar Festival and the Budapest Festival Academy in Hungary, the Cork Festival in Ireland; she recently sang the cantata Phaedra (Britten) with the Orchestre régional de Normandie and performs in duet with guitarist and lutenist Quito Gato, in both baroque ("Lagrime mie") and popular ("Mi corazón espanol") programs.
She also founded the ensemble "Il Caravaggio" with harpsichordist Camille Delaforge, which can be heard in France and abroad, in French and Italian baroque repertoires.
Anna Reinhold made numerous recordings, notably with Raphaël Pichon and the Pygmalion ensemble (Bach's Hohe Messe), lutenist Thomas Dunford ("Labirinto d'Amore"), Cappella Mediterranea conducted by Leonardo García Alarcón ("Heroines of the Venetian Baroque"), William Christie's Les Arts Florissants (« N’espérez plus, mes yeux », « Bien que l'Amour », « Si vous vouliez un jour »), or the ensemble Il Caravaggio (« Madonna della Grazia »).
Highlights of her 2024-2025 season include the Garçon de cuisine (Rusalka) at the Opéra de Massy, a French tour with Campra's Carnaval de Venise and the ensemble Il Caravaggio, and numerous concerts with the ensembles Cappella Mediterranea, Il Caravaggio and La Parenthèse.
Anna Reinhold has been represented by RSB Artists since 2013.
Kaëlig Boché
Tenor
A tenor in great demand both in opera and in concert, Kaëlig Boché appears in the 2024-2025 season in the roles of Pasquin (Le Docteur Miracle) in Tours and Poitiers, Laërte (Hamlet) at the Opéra de Massy, Hawart (Sigurd) at Opéra de Marseille, Gomatz (Zaide) at Opéra d'Avignon and Pedrillo (L'Enlèvement au sérail) at Opéra de Saint-Étienne, as well as in Britten's Illuminations with the Orchestre national d'Île-de-France.
Native of french Brittany, he has been singing since he was a child, joining the Brittany Children's Choir and then the Superior Department for Young Singers at the CRR in Paris before being admitted in Elène Golgevi’s class at the Conservatoire National Supérieur de Musique et Danse de Paris where he graduated a Master's degree in Lyric Art ; he also has been a member of the Studio of the Opéra National de Lyon.
Laureat of several competitions (Toulouse 2017, Marseille 2018, Mâcon 2019, Marmande 2022), he is also the proud recipient of the Excellence Scholarship and Fondations (Fondations L'Or du Rhin, Academy of the Musée d'Orsay - Fondation Royaumont, Fondation des Treilles, Malvina and Denise Menda Scholarship from the Opéra-Comique de Paris) and was a « Classical revelation 2017 » from ADAMI ; he is currently member of the 23/24 Opera Generation.
Participating in the last two seasons of the CFPL tour of Offenbach's Le Voyage dans la lune, he sang the role of Quipasseparla at the Marseille Opera and then at the Operas of Nice, Rouen, Limoges, Vichy, Clermont-Ferrand et Compiègne.
His young career has already led him to embody the roles of Gomatz (Zaide) at the Opéra de Rennes, Angers-Nantes Opéra, Roderigo (Otello) at the Opéra de Saint-Étienne, Remendado (Carmen) at the Opéras of Massy and Toulon, la Voix du Marin and le Berger (Tristan und Isolde) at the Opéra de Lille, Cossé (Les Huguenots) at the Opéra de Marseille, L’Aubergiste (Der Traumgörge) at the Opéras of Nancy and Dijon, the Teapot, the Little Old Man and the Tree Frog (L’Enfant et les sortilèges) at the operas of Lyon, Muscat Opera (Oman), Avignon and Tours, Torquemada (L’Heure espagnole) at the Operas of Avignon and Tours, Dancaïre (Carmen) at the Opéra de Dijon, or the Premier Homme d’arme (Die Zauberflöte) at the Opéra de Rouen.
He was also heard as Tamino (Die Zauberflöte) at the Festival des Symphonies d'Automne de Mâcon, as Don Riccardo (Ernani) with the Orchestre de l'Opéra national de Lyon, as Edwige (Fervaal by Vincent d'Indy) at the Festival Radio France de Montpellier, as La rose (Gazzaniga's L'Isola d'Alcina) with the L'Arte del mundo ensemble in Leverkusen or as Frère Massée (Saint François d'Assise) at the Festival Messiaen.
In concert he has sung Britten's Les Illuminations, Mozart's Coronation Mass and Schubert's Lieder with the Orchestre régional de Normandie, and Britten's Serenade for horn, tenor and strings with the Orchestre de Massy, the solo tenor parts of Honegger's Le Roi David with the Orchestre national des Pays de la Loire, Mozart's Coronation Mass with the Orchestre de Cannes, Schubert's Stabat Mater with the Orchestre Dijon Bourgogne, or L'Enfance du Christ (as the Narrator) with the Orchestre de Chambre Nouvelle-Aquitaine., Bach's Magnificat with the Concert de l'Hostel Dieu or Haydn's Creation at the Notre Dame de Paris Cathedral.
A lover of the Lied and French melody repertoires, he regularly performs in recitals with the pianists Célia Oneto-Bensaid, Jeanne Vallée, Thomas Tacquet, Sébastien Joly, Tanguy de Williencourt and Adam Laloum.
Kaëlig Boché has been represented by RSB Artists since 2017.
Thomas Dolié
Baritone
Awarded a « Victoire de la Musique Classique » in the « Most promising Artist » category in 2008, Thomas Dolié's career started with Peter Brook, on the French and then world tours of his adaptation of The magic flute.
Thomas Dolié's career has already led him to perform numerous roles like the Count, Figaro, Guglielmo, Papageno, Golaud, Escamillo, Marcello, Ramiro and Fritz, among others, on stages such as the Opéra de Paris, the Opéra de Zurich, the Gran Teatre del Liceu, the Teatro Real Madrid, the Komische Oper in Berlin, the Opéra de Cologne, the Opéra Royal de Wallonie, the Opéra Comique, and the Operas of Bordeaux, Toulouse, Lyon, Strasbourg, Avignon and Versailles.
Giving as much importance to the embodiment of the text or characters as to the music, Thomas Dolié is regularly invited to sing the oratorio, Lieder or opera repertoire in concert version with orchestra, in particular with the CMBV and the Palazetto Bru-Zane, thus contributing to the rediscovery of the French Baroque and Romantic repertoire.
We heard him in L'Enfance du Christ with the Milan Scala Orchestra and the Gürzenich Orchester, Mahler's Lieder eines farhenden Gesellen with the Orchestre national Bordeaux-Aquitaine, Hahn's L'Île du Rêve with the Münchner Rundfunkorchester, L'Heure Espagnole with the London Symphony Orchestra, Pelléas et Mélisande with the Deutsche Kammerphilharmonie of Brême, Werther with the Hungarian National Orchestra, Grisélidis with the Orchestre de l'Opéra de Montpellier, St John's Passion with the Accentus Choir and Insula Orchestra, Beethoven's 9th Symphony with the Orchestre national de Lyon, St. Matthew Passion with Les Musiciens du Louvre, Fauré Requiem with Orchestre national de Bordeaux Aquitaine, Gürzenich-Orchester Köln or Insula Orchestra, Brahms Requiem with Orquestra simfònica de Barcelona i nacional de Catalunya.
He has also worked with a lot of baroque ensembles, led by conductors such as Raphaël Pichon, György Vashegyi, René Jacobs, Marc Minkowski, Leonardo García Alarcón, Emmanuelle Haïm, Vincent Dumestre, Hervé Niquet and Christophe Rousset, and has given piano recitals with Olivier Godin, Anne Le Bozec and Susan Manoff.
For the 2024/2025 season : Sophie Gail’s Serenade at the Opera de Rennes, Docteur Miracle at the Theatre du Châtelet, Lully’s Persée with the ensemble Le Concert Spirituel, Haendel’s Resurrezione with the Banquet Céleste, Carmina Burana with the Orchestre du Capitole de Toulouse, Fauré’s Requiem with Les Siècles, Massenet’s Melodies with the Orchestre of the Opéra de Rouen, Bach’s St. Matthew Passion and then Mozart’s Requiem with the Orchestre d’Auvergne, Mozart’s Requiem with the Orchestre National Avignon Provence or Rinaldo at the Saint-Céré Festival.
Thomas Dolié has been represented by RSB Artists since 2009.
Nicolas Jouve
Pianist, coach for singers, Nicolas Jouve completed his musical studies in Chambéry, Grenoble, Paris (CRR and CNSMD) then Vienna (Universität für Musik) in Walter Moore's Lied class.
Always attracted by the repertoire of ensemble music, he has been approaching the world of opera singers for about twenty years, first through the repertoire of Lied and French melody, then through opera.
Accompanist at the CNSMD of Lyon since 2003 (singing class of Françoise Pollet then clarinet class of Nicolas Baldeyrou), he is also regularly invited as a coach at the Opéra national de Lyon, for the preparation of opera productions (about twenty productions, ranging from Purcell to Thierry Escaich, via Mozart and Offenbach).
In parallel with his concert activity (recitals in Europe and Japan), he has recorded four discs, with soprano Amel Brahim-Djelloul (Album " Populaires "), mezzo-soprano Anaïk Morel, tenor Julien Behr (melodies by Charles Koechlin) and the female vocal ensemble Calliope (Album Lili Boulanger, Fauré, Debussy and album " Gustav Holst ").
Since 2014, he has also been Artistic Delegate of the RSB artists agency, which accompanies the international careers of some thirty singers and conductors of opera orchestras.